Keith Haring

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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.
Untitled (Man on Dolphin)
Untitled (Man on Dolphin)
90 x 75 cm
Lithograph on Paper
60 x 80 cm
Silkscreen on paper
Pop Shop Quad III (Estate Stamped edition of 75)
Pop Shop Quad III (Estate Stamped edition of 75)
84 x 69 cm
Screenprint on Paper
Pop Shop Quad IV (Estate Stamped Edition of 75)
Pop Shop Quad IV (Estate Stamped Edition of 75)
69 x 84 cm
Silkscreen on paper
Radiant Baby (from the Icons Portfolio) Rare printers proof
Radiant Baby (from the Icons Portfolio) Rare printers proof
63 x 53 cm
Screenprint on Paper
Untitled D (Signed Limited Edition)
Untitled D (Signed Limited Edition)
31 x 21 cm
Lithograph on Paper
Growing (2) - Signed edition of 100 (SOLD)
Growing (2) - Signed edition of 100 (SOLD)
102 x 76 cm
Screenprint on Lenox Museum Board